A majority of objects universally are colored by pigments, but using pigments has drawbacks: industrial pigments are mostly toxic, colors can fade, and certain color effects are difficult to achieve.
Light hits the 3D-printed nanostructures from below. After it is transmitted through, the viewer sees only green light—the remaining colors are redirected. (Image credit: Thomas Auzinger)
The natural world, however, also displays structural coloration, where the microstructure of an object causes several colors to appear. Peacock feathers, for example, are pigmented brown, but - due to long hollows within the feathers - reflect the stunning, iridescent greens and blues one sees and admires. Latest advances in technology have made it practical to fabricate the kind of nanostructures that lead to structural coloration, and computer scientists from the
Institute of Science and Technology Austria (IST Austria) and the King Abdullah University of Science and Technology (KAUST) have currently developed a computational tool that automatically forms 3D-print templates for nanostructures that match user-defined colors.
Their research shows the significant potential for structural coloring in industry, and paves the way for possibilities for non-experts to develop their own designs. This project will be presented at the top computer graphics conference, SIGGRAPH 2018, by first author and IST Austria postdoc Thomas Auzinger. This is one of five IST Austria presentations at the conference this year.
The varying colors of a chameleon and the iridescent greens and blues of the morpho butterfly, among many others in nature, are due to structural coloration, where nanostructures cause interference effects in light, resulting in a range of colors when seen macroscopically. Structural coloration has certain benefits over coloring with pigments (where specific wavelengths are absorbed), but until recently, the boundaries of technology meant fabricating such nanostructures required extremely specialized techniques. New “direct laser writing” arrangements, however, cost about as much as a top-quality industrial 3D printer, and allow for printing at the scale of hundreds of nanometers (hundred to thousand time thinner than a human hair), paving the way for scientists to try out structural coloration.
Thus far, researchers have largely experimented with nanostructures that they had observed in nature, or with simple, standard nanostructural designs (for example, row after row of pillars). Thomas Auzinger and Bernd Bickel of IST Austria, together with Wolfgang Heidrich of KAUST, however, took an advanced new approach that varies in several critical ways. First, they solve the inverse design task: the user enters the color they want to imitate, and then the computer forms a nanostructure pattern that gives that color, instead of trying to reproduce structures found in nature. Furthermore, “
our design tool is completely automatic,” says Thomas Auzinger. “No extra effort is required on the part of the user.”
Second, the nanostructures in the template do not adhere to a specific pattern or have a standard structure; they appear to be haphazardly composed—a fundamental break from earlier approaches, but one with a number of advantages.
“When looking at the template produced by the computer I cannot tell by the structure alone, if I see a pattern for blue or red or green,” explains Auzinger. “ But that means the computer is finding solutions that we, as humans, could not. This free-form structure is extremely powerful: it allows for greater flexibility and opens up possibilities for additional coloring effects.” For example, their design tool can be used to print a square that looks like red from one angle, and blue from another (termed as directional coloring).
Lastly, earlier efforts have also stumbled when it came to real fabrication: the designs were frequently difficult to print. The new design tool, however, ensures that the user will obtain with a printable template, which makes it very useful for the future development of structural coloration in industry.
“The design tool can be used to prototype new colors and other tools, as well as to find interesting structures that could be produced industrially,” adds Auzinger. Preliminary tests of the design tool have already produced successful results. “It’s amazing to see something composed entirely of clear materials appear colored, simply because of structures invisible to the human eye,” says Bernd Bickel, professor at IST Austria, “we’re eager to experiment with additional materials, to expand the range of effects we can achieve.”
“It’s particularly exciting to witness the growing role of computational tools in fabrication,” concludes Auzinger, “and even more exciting to see the expansion of ‘computer graphics’ to encompass physical as well as virtual images.”